Feminist security studies have demonstrated that transitional justice processes worldwide have largely fallen short in providing actual transformative justice for women and that many gendered war experiences remain largely unaccounted for. Through an activist-academic collaboration and mobilizing feminist scholarship on war, embodiment and emotions together with literature on transitional justice and the arts, this article argues that women’s collective artistic resistance can foster deeper cultural and structural changes in transitional justice settings. By delving into the case of the women’s music collective Enkelé in Colombia, the article examines the creative possibilities afforded by music and choreography to document and testify to an enduring culture of violence and their role in probing the effectiveness of post–peace agreement transitional justice. We contend that paying attention to musical performances is key because these can express new visions of justice that are not constrained by the limits of what is possible and feasible in formal transitional justice mechanisms and can offer corporeal connectivity able to bring together communities fractured by war and armed conflict and to give visibility to knowledges and practices of memory and healing of marginalized communities.